Performing the ecstasis: An interpretation of Katharine Norman’s Making Place for instrument/s and electronics

Jean Penny

Katharine Normans’ work Making Place for instrument/s with live electronics (2013/16) combines recorded sounds, images, text, live interactive processing and instrumental music performance to create a unique experience of place. As the performer, I can choose a location, collect photographic images and recorded sounds, and interpret and re-create the score. The score is semi-improvisatory, consisting of many composed and freely pitched musical gestures which trigger text, visual animations and sound processing.

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keywords: OPEN EXPOSITION

Exploring the Efficiency of Artistic Practices within the Context of their Interaction

Andrew Miller

This exposition presents the artistic research project ‘Exploring the Efficiency of Artistic Practices within the Context of their Interaction’, which examines the ways in which artistic practices interact with one another. It understands practices as the organised media and structures through which a researcher is able to initiate and continue the process of environmental constitution, the embodied process through which the world emerges as meaningful for and with us. The project is situated within the context of a phenomenological approach to consciousness and sense-making.

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keywords: OPEN EXPOSITION