CRITICAL CONFABULATIONS – Corresponding Practices and Mappings

Jim Harold & Alex Hale

This exposition is based on an archaeological survey in the landscapes around Kilmartin Glen, Argyll and Bute, western Scotland, and references digital datasets – archaeological reference points –alongside the acts (enactments) of field walking, photography, drawing and poetry – experiences and representational discourses – to consider how land and landscapes may be read as dynamic palimpsestic and multi-dimensional fields of entanglement.

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A Topian Artistic Methodology

Kevin Walker

This exposition details a methodology for artistic research based on the book Utopia as Method by sociologist Ruth Levitas. It involves specific methods at three levels of analysis: archaeological, architectural, and ontological. Practical work is produced using archaeological and architectural methods, aimed at triangulating onto contemporary ontological issues. The term ‘topian’ was chosen in order to incorporate both utopian and dystopian perspectives — this term, from the Greek ‘topos’ meaning place, frames an artistic practice in relation to one or more sites of investigation.

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Con Luigi Nono: Unfolding Waves

Paulo de Assis
This exposition presents diverse materials related to, or inspired by Luigi Nono’s piece for piano and tape …..sofferte onde serene… (1975–77). Organised in seven modules, the exposition offers different perspectives on a vast collection of materials around the original work, its performative renderings, and its orchestral transformation
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