Passages of Light: Analogue and Digital Moving Image Installation.

Alexander Nevill
Within a rapidly changing media landscape, light remains an intrinsic and potentially expressive aspect of moving imagery, regardless of the shape, form and resolution that specific capture and display devices might take. The practice of light in moving imagery is typically considered through an arrangement of sources, filters and modifiers that sculpt the aesthetic appearance of a two-dimensional frame and is often studied in relation to mainstream Hollywood films.
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keywords: OPEN EXPOSITION

In and out of memory: exploring the tension when remembering a traumatic event.

Anna Walker
The modernist approach to trauma points to an occurrence that demands representation and yet refuses to be represented (Roth 2012: 93); the intensity of the experience makes it difficult to remember and impossible to forget ...


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keywords: OPEN EXPOSITION