This exposition investigates practice-as-research dynamics through a project titled ‘Shuttle’, from which emerged a practice of

The affective qualities of surfaces (and the skin) in drawing operations, wedging clay, and video are developed in this research exposition by activating them with both the concept and the practice of exhaustion in emergent series.

Starting from the knowledge that the perception, experience and creation of music is always a bodily activity, the exposition explores the influential and intrusive power of musical ‘groove’. Whereas the concept of groove has been extensively discussed both as a general

Diagrammatic Praxis was a post-doctoral research process drawing upon applied concepts of the diagram previously explored in my dissertation, ‘The Translocal Event and the Polyrhythmic Diagram.’ As a researcher in the Art, Research