Having discussed such proposals in the past, currently JAR does not accept proposals for special or thematic issues. We consider that although a research project may seem to suit a thematic issue, publishing research in relation to a specific theme is often problematic, suggesting a narrow scope of interpretation. In addition to this, the cost of producing additional issues was too high for many who were interested.
For those interested in special issues, you may want to consider approaching Ruukku. Studies in Artistic Research and VIS. Nordic Journal for Artistic Research two of the other journals that engage with the rich-media capabilities of the Research Catalogue.
Until 2019, JAR required all submissions to be in English. While bilingual submission could be made, it was the English language version that was reviewed.
From 1 May 2019 onwards, JAR also accepts submissions in Spanish, Portuguese and German—see here for the call.
As described in the Editorial of JAR18, this selection of languages is not to be understood in any way as a preference for some languages over others; rather, it represents a pragmatic extension of the board’s possibilities. Depending on resources, realities and interests, other languages might follow in the future.
However, while English will always remain an option for submissions to JAR, it must be stated that any other language that JAR adopts may be dropped again should JAR’s resources not allow supporting it at a point in the future. An announcement will be made well in advance should JAR change its policies.
JAR aims to translate its communications and the relevant parts of its website into the languages it supports. Please bear with us as this is in development.
Please note that the JAR Network space is open to reflections and book reviews in any language beyond those supported in the peer-reviewed section of JAR.
If you have a relevant book that you would like to offer JAR for review, please get in touch using our contact form here selecting ‘Network’ as the topic and describing the book briefly. In case you have already a potential book reviewer in mind, please mention his/her name in the message. Please also mention if the book in available in print and/or as digital copy.
We will add the titles that we receive to our list here from which potential reviewers can make a selection.
Currently, JAR accepts only books for review, which may, however, include artist books, special journal issues, catalogues etc. We aim to include other formats such as performances or exhibitions etc. in the future. Please bear with us as we develop this section.
While book review sections of academic journals tend to focus on new titles, JAR is also interested to publish reviews of older books providing that the review adds a new angle to the debate.
Once you know which book you want to review, please get in touch using our contact form here selecting ‘Network’ as the topic mentioning the book you would like to review. Please click here for more information about the process.
Broadly speaking the JAR Network space is about artistic research and the activities of the communities of practitioners. We are particular interested to hear about exciting initiatives and the urgencies that drive people’s work using a more speculative approach to writing that allows to express what is at stake. However, we are also interested in the more personal reflections rooted in your own research practice.
Please click here for more information about the process.
Texts on the JAR Network are hosted on jar-online.net and not the Research Catalogue (RC) as JAR’s peer reviewed contributions are. As a consequence, there is much less flexible use of media and no control by the author over the design of the page. Furthermore, publications in the JAR Network need not be expositional, i.e. expose practice as research. Click here for more information about submissions to JAR. Please consider making a submission to JAR should you aim at a presentation of your own practice as research.
Anybody can send us texts to be published in this section. Please get in touch using our contact form here selecting ‘Network’ as the topic and describing your proposal briefly. We will respond as soon as possible.
Manuscripts can be as long (or short) as necessary keeping in mind that they are to be read on the screen and, thus, resemble more blog posts than journal articles. Texts can be in any language including those not published in JAR; png/jpg images, mp3 audio and m4v video are supported.
After receiving your manuscript, the editorial board will discuss whether or not it should be included. Since the Network space is there to represent the diversity of positions and practices of artistic research, we aim to endorse as many different perspectives as possible regardless of whether or not they coincide with JAR’s approach.
There is no peer review for publications in the Network space of JAR. Once accepted, JAR provides feedback to the author suggesting possible revisions, which need not be followed. JAR will copyedit your final manuscript.
We aim to include new materials on an ongoing basis, which will be advertised as part of new issue announcements. On publication on jar-online.net, each text will receive a DOI, which is shown at the bottom of each contribution as part of the ‘suggested citation’.
No, JAR does not allow embedded material in the submission.
Once an exposition is published in JAR, it can be connected to another portal, but not be published in it.
- JAR is guided by input from the SAR Executive Board and its members
- we believe that quality is not democratic, but a question of discussion and argumentation, therefore, we support special-interest forums, allowing a wide range of people to be involved in the strategic developments of JAR:
- you can become a member of SAR and attend the Annual Meetings
- you can put yourself forward for election to the SAR Executive Board or apply for appointment to the Editorial Board
- JAR expositions can be cited as one would any other e-journal.
- JAR and the Research Catalogue can be linked via an RSS feed to library systems.
- JAR is built on the Research Catalogue, a rich media web format. Expositions often include media files such as .mpg and .mov that cannot be represented in PDF format.
- The European Research in Humanities Index (ERHI)
- JAR is archived in the British Library, and recognised by the Belgian and Norwegian Research Councils.
- Voting rights are the same for institutional and individual members
- JAR and SAR supports non-institutional artistic researchers, for example, by organising travel grants for Annual Meetings, etc.
- RC is inclusive, open-ended, and bottom-up
- any aspect of a research project can be self-published within the RC
- in contrast to the RC, JAR is peer-reviewed, which means that throughout the preparation of an exposition for publication in JAR there is close exchange between authors and editors
- Read the JAR submissions page (link) for information on opening an account with the Research Catalogue, assembling an exposition and submitting it to the journal. Use the detailed tutorials and help guides on the RC (link) to assist you.
- if you need further assistance, please contact the Managing Editor (link contact email: [email protected])
- The quality of JAR relies heavily on the quality of reviews; so, if you have substantial expertise in artistic research in your fields of interest and are interested in acting as a referee, please contact us Editor (email [email protected]). For further information on the review process please see our Peer Review page (link).
- It is free to create an account on the Research Catalogue and to submit to JAR
- as part of its commitment to Open Access, it is free to access and read all expositions published in JAR. You can view our full archive here (link).
- This decision is based on the fact that artists find it difficult to be given permission to use others’ work in the context of their research on the Internet. More restrictive terms may help to convince copyright holders to grant permission to use a particular piece of art that the right holder may legally not want to see circulating on the Internet.
- This point relates also to the question regarding Open Access.
- JAR is financed by SAR, which receives income from individual and institutional membership fees, and also sponsorship
- strategic alliances with research projects such as the Artistic Research Catalogue (ARC) also allow JAR to develop its infrastructure
- Professional artistic researchers from all arts fields, such as fine arts, music, theatre, dance, curators and other key players in the arts, etc.
- practicing artists