3D printing https://www.jar-online.net/en en ∂ Topological Landscapes https://www.jar-online.net/en/exposition/abstract/topological-landscapes <span>∂ Topological Landscapes</span> <div class="field field--name-body field--type-text-with-summary field--label-hidden field--item"><p>∂ Topological Landscapes (2015–ongoing) is a multisensory environment that comprises three projects, all based on research into the controversial healing instruments designed by Southern California inventor Royal Raymond Rife (Nebraska, 1888–California, 1971). Rife’s early twentieth-century scientific work involved light microscopy, frequency theory, and the concept of pleomorphism, which he applied to study formal differentiation in viral cells. One of Rife’s aims was to develop methods and mechanisms that would allow him to use frequencies to kill viruses.</p> <p>∂ (curly d) is the symbol for ‘boundary’ in general topology. In this research, it is employed as a mathematical symbol that links the study of shifting material surfaces with an inquiry into the fluctuating borders between art and science. It posits that abandoned possibilities in scientific error and failed experiments may harbour other futures. In its three projects, ∂ Topological Landscapes works with different technologies of reproduction using 3D animation, 3D printed sculpture, sonification, and prototype-making to explore findings from various attempts to replicate Rife’s instruments. The necessary information for creating these replications was gathered from the object archive of the Science Museum of London and from the two former sites of the inventor’s research: the Scripps Institute of Oceanography in La Jolla, San Diego, and the Linda Vista Hospital in Los Angeles.</p> </div> <span><span lang="" about="/en/user/35" typeof="schema:Person" property="schema:name" datatype="">jar</span></span> <span>Mon, 05/24/2021 - 10:33</span> <div class="field field--name-field-tags field--type-entity-reference field--label-hidden field--items"> <div class="field--item"><a href="/en/tags/3d-printing" hreflang="en">3D printing</a></div> <div class="field--item"><a href="/en/tags/prototype" hreflang="en">prototype</a></div> <div class="field--item"><a href="/en/tags/sound-art" hreflang="en">sound art</a></div> <div class="field--item"><a href="/en/tags/science-and-technology-studies" hreflang="en">science and technology studies</a></div> <div class="field--item"><a href="/en/tags/3d-scanning" hreflang="en">3D scanning</a></div> </div> <div class="field field--name-field-image field--type-image field--label-hidden field--item"> <img src="/sites/default/files/2021-05/Blazsek.png" width="500" height="375" alt="∂ Topological Landscapes" typeof="foaf:Image" class="img-responsive" /> </div> <div class="field field--name-field-issue field--type-entity-reference field--label-inline"> <div class="field--label">Issue</div> <div class="field--item"><a href="/en/issues/23" hreflang="en">23</a></div> </div> <a href="https://doi.org/10.22501/jar.817407" class="btn btn-default external-link" target="_blank">OPEN EXPOSITION</a> <div class="field field--name-field-author-name field--type-string field--label-hidden field--item">András Blazsek</div> Mon, 24 May 2021 08:33:14 +0000 jar 2034 at https://www.jar-online.net Digitally Produced Jewellery: Tactile Qualities of a Digital Touch https://www.jar-online.net/en/exposition/abstract/digitally-produced-jewellery-tactile-qualities-digital-touch <span>Digitally Produced Jewellery: Tactile Qualities of a Digital Touch</span> <div class="field field--name-body field--type-text-with-summary field--label-hidden field--item"><p><span><span><span>The importance of tactile contact between the artist and their jewellery has increased over the last decade. More and more artists now implement digital technologies into their work process. This raises questions about the notion of tactility, something that is usually associated as something tangible or given to touch. The authors show that there is a different sensorial mode of engagement with jewellery presented on the screen: during the 3D modelling process or 3D printing. This article aims to investigate the intangible qualities of tactility in the field of digital crafts, while focusing on the material, technical, performative, and psychological aspects. The outcomes include a set of tactile qualities evoked by screen-oriented labour and machinery production: resolution sensitivity, thin-skinned data, psycho-performative realism; and fingerprints, incompleteness and glitch.</span></span></span></p> </div> <span><span lang="" about="/en/user/30" typeof="schema:Person" property="schema:name" datatype="">lucia</span></span> <span>Sat, 12/28/2019 - 23:35</span> <div class="field field--name-field-tags field--type-entity-reference field--label-hidden field--items"> <div class="field--item"><a href="/en/tags/contemporary-jewellery" hreflang="en">contemporary jewellery</a></div> <div class="field--item"><a href="/en/tags/tactility" hreflang="en">tactility</a></div> <div class="field--item"><a href="/en/tags/digital-technologies" hreflang="en">digital technologies</a></div> <div class="field--item"><a href="/en/tags/digitally-produced-jewellery" hreflang="en">digitally produced jewellery</a></div> <div class="field--item"><a href="/en/tags/artistic-experience" hreflang="en">artistic experience</a></div> <div class="field--item"><a href="/en/tags/digital-self" hreflang="en">digital self</a></div> <div class="field--item"><a href="/en/tags/digital-representation-jewellery" hreflang="en">digital representation of jewellery</a></div> <div class="field--item"><a href="/en/tags/3d-printing" hreflang="en">3D printing</a></div> </div> <div class="field field--name-field-image field--type-image field--label-hidden field--item"> <img src="/sites/default/files/2019-12/33378fa160f49b34c8600b313c54ecb2.png" width="250" height="250" alt="Hallik thumbnail" typeof="foaf:Image" class="img-responsive" /> </div> <div class="field field--name-field-issue field--type-entity-reference field--label-inline"> <div class="field--label">Issue</div> <div class="field--item"><a href="/en/issues/19" hreflang="en">19</a></div> </div> <a href="https://doi.org/10.22501/jar.612909" class="btn btn-default external-link" target="_blank">OPEN EXPOSITION</a> <div class="field field--name-field-author-name field--type-string field--label-hidden field--item"> Sofia Hallik and Darja Popolitova</div> Sat, 28 Dec 2019 22:35:58 +0000 lucia 1987 at https://www.jar-online.net Additive Photography https://www.jar-online.net/en/exposition/abstract/additive-photography <span>Additive Photography</span> <div class="field field--name-body field--type-text-with-summary field--label-hidden field--item"><p>Since the invention of photography, there have been numerous hybrid experiments between photography and sculpture that testify to a continuous influence of sculpture on photography and vice versa. In my own visual work, I am researching the physical, sculptural and architectural aspects of photography. I am analysing a number of historical experiments, from the 16th century camera obscura pavilion to 21st century digital processes, which I apply to my artistic practice. A particularly important example is the photosculpture process of François Willème. In the late 1850s, he aimed at reproducing sculpture with the help of photography, creating a distinctive union between the two media. His method to extrude sculptures from photographs laid the ground principles for the 3D scanner and printer. In this exposition I bring to the fore how the work of Willème propelled its significant influence towards today, and how it inspired me to create new visual work. At the same time, this experience constitutes an exemplary case study on how theoretical research can steer the creation of visual research.</p> <p> </p> </div> <span><span lang="" about="/en/user/30" typeof="schema:Person" property="schema:name" datatype="">lucia</span></span> <span>Fri, 01/18/2019 - 13:23</span> <div class="field field--name-field-tags field--type-entity-reference field--label-hidden field--items"> <div class="field--item"><a href="/en/tags/sculpture" hreflang="en">sculpture</a></div> <div class="field--item"><a href="/en/tags/photography" hreflang="en">photography</a></div> <div class="field--item"><a href="/en/tags/installation" hreflang="en">Installation</a></div> <div class="field--item"><a href="/en/tags/photosculpture" hreflang="en">photosculpture</a></div> <div class="field--item"><a href="/en/tags/historically-informed-photography" hreflang="en">historically informed photography</a></div> <div class="field--item"><a href="/en/tags/3d-printing" hreflang="en">3D printing</a></div> <div class="field--item"><a href="/en/tags/3d-scanning" hreflang="en">3D scanning</a></div> <div class="field--item"><a href="/en/tags/panorama" hreflang="en">panorama</a></div> </div> <div class="field field--name-field-image field--type-image field--label-hidden field--item"> <img src="/sites/default/files/2019-01/Maes%20thumbnail.png" width="1602" height="1284" alt="Maes thumbnail" typeof="foaf:Image" class="img-responsive" /> </div> <div class="field field--name-field-issue field--type-entity-reference field--label-inline"> <div class="field--label">Issue</div> <div class="field--item"><a href="/en/issues/17" hreflang="en">17</a></div> </div> <a href="https://doi.org/10.22501/jar.343349" class="btn btn-default external-link" target="_blank">OPEN EXPOSITION</a> <div class="field field--name-field-author-name field--type-string field--label-hidden field--item">Ives Maes</div> Fri, 18 Jan 2019 12:23:21 +0000 lucia 1942 at https://www.jar-online.net