This exposition documents several years of process-driven practice-as-research. The work explores themes of womanhood, embodiment, and autobiography. Throughout the exposition I argue that the embodiment of process is key to understanding practice-as-research. I propose that practice-as-research projects should not be driven with a ‘final output’ in mind. Instead, the practice of practice-as-research should be reconsidered throughout its development; it should use its potential for liminality. It is the demonstration of a ‘living process’; living in process.

A Work on Progress David Overend

The exposition functions as a critical reflection on A Work on Progress, a practice-as-research performance/installation. Aiming to provide an alternative to the commodification of theatre, the project explores the possibility of moving beyond postmodern...