Abstract
The expanded cinema performance ‘Palestinian Wildlife Series’ parallels posthuman and postcolonial circumstance, using appropriated imagery of African animals shot directly from a television set in Palestine.Chronicling the experimentation and process that went into this work of ‘animal-video choreography’, the author interweaves research on Palestine, materialist film, and Afrofuturist thought.
http://doi.org/10.22501/jar.135120

Abstract
This research exposition investigates how artistic practice is used among British Tamil artists ...
http://doi.org/10.22501/jar.63959