FORGOT YOUR DETAILS?

CURRENT ISSUE

ISSUE 13

Print Friendly

Editorial

Say, you come across JAR for the first time perhaps during a search for a journal to publish your research. You might ask yourself: what is this journal after? You may browse our website and submission guidelines and find the expression: ‘to expose practice as research,’ which doesn’t give you much of a clue what precisely it is that we ask you to do to make a submission. In fact, you might think that our guidelines are cryptic to a degree that makes you question whether there is any way of telling if the work you invest is worth it.Click here to Read More

Based around my catalogue essay for Yu-Chen Wang's exhibition 'Nostalgia for the Future' (Taipei Fine Art Museum and Centre for Chinese Contemporary Art, Manchester, 2016), I consider how exhibition narratives are formed...
http://doi.org/10.22501/jar.285510

OPEN EXPOSITION

The work presented here uses the analogy of artists as talking birds and draws on research from cognitive ethology, linguistics, and film studies to ask, what kind of knowledge does art produce? Drawn diagrams and short structural ...
http://doi.org/10.22501/jar.147814

OPEN EXPOSITION

The article examines my recent multi-channel sound composition: Decomposing Landscape (2015), inquiring into the complex, nebulous and evolving relationship between sound and site that is thoroughly ...
http://doi.org/10.22501/jar.147814

OPEN EXPOSITION

This exposition explores the role of creative practices in creating methods for public engagement and the promotion and recognition of tangible and intangible heritage at a local community level. It argues that principles of participatory design ...
http://doi.org/10.22501/jar.147814

OPEN EXPOSITION

Iconic artists’ books from the 1960s and 1970s have recently been subject to numerous attempted appropriations by publishers and artists, resulting in the production of facsimiles and bootlegs of famous titles. The original versions of artists’ books ...
http://doi.org/10.22501/jar.231490

OPEN EXPOSITION

TOP