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ISSUE 9

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Editorial

Would JAR consider a submission that engages with the precarious material status of objects? What about research carried out during a residency in Mozambique? What about in Tokyo? Or during a trip across Australia? Might we be interested in live-performance sampling? What about the staging of scientific texts? Would we exclude architecture research? Literature? Graphic design? Can a text be poetic, interactive, multilayered, or even missing? Can documentation be problematised? May a submission travel from art to philosophy and back? Can I submit my artistic research even if I don’t consider myself to be an artist? What about folk music?Click here to Read More

Since the 1960s, walking artists have documented the multifarious relationship between humans and their built environments. By turning walking into art, key figures such as Bruce Nauman, Richard Long, Marina Abramović, and Hamish Fulton paved the way for future practitioners...
http://doi.org/10.22501/jar.132765

OPEN EXPOSITION

This exposition investigates practice-as-research dynamics through a project titled ‘Shuttle’, from which emerged a practice of ...
http://doi.org/10.22501/jar.80218

OPEN EXPOSITION

This exposition documents several years of process-driven practice-as-research. The work explores themes of womanhood, embodiment, and autobiography...
http://doi.org/10.22501/jar.131436

OPEN EXPOSITION

This exposition discusses artistic appropriations of issues related to the contemporary global food agenda and the possible impact of these interventions on the public’s food-related mindset. It begins with an overview of some of the most pressing concerns...
http://doi.org/10.22501/jar.57801

OPEN EXPOSITION

The affective qualities of surfaces (and the skin) in drawing operations, wedging clay, and video are developed in this research exposition by activating them with both the concept and the practice of exhaustion in emergent series...
http://doi.org/10.22501/jar.134510

OPEN EXPOSITION

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