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ISSUE 8

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Editorial

From the very beginning, the notion of practice that JAR has employed has included its own communication – or exposition, as we call it – as research. This implies that key concepts relevant to contemporary art can be engaged with even in the context of something as scholarly – and for some boring – as a journal article. In this editorial, I would like to sketch the relevance of appropriation to expose the point at which stable notions of ‘research’ are jeopardised. Such instability is perhaps difficult to evaluate but, we believe, exciting to engage with. Looking back over this and all previous issues, it becomes increasingly clear that, beyond more specific uses of ‘appropriation’, the term deserves more attention in the debates around artistic research in general. Click here to Read More

The modernist approach to trauma points to an occurrence that demands representation and yet refuses to be represented (Roth 2012: 93); the intensity of the experience makes it difficult to remember and impossible to forget ...
http://doi.org/10.22501/jar.99519

OPEN EXPOSITION

This project investigates the coexistence of and the correlation between the inhabitants within my apartment building, using artistic practices and my own lived experience. These everyday spaces form the primary interface between the individual ...
http://doi.org/10.22501/jar.99363

OPEN EXPOSITION

This research exposition investigates how artistic practice is used among British Tamil artists ...
http://doi.org/10.22501/jar.63959

OPEN EXPOSITION

In this exposition we present the outlines of the artistic research project Wikiphonium, and discuss how the Bakhtinian concept of dialogue can function as a theoretical, practical and methodological approach in artistic research projects ...
http://doi.org/10.22501/jar.56371

OPEN EXPOSITION

This exposition introduces and analyses the work of British-based IOU Theatre, a company that has been exploring intermedial theatre and installation since 1976. IOU's work, we suggest, is characterised by their particular strategies ...
http://doi.org/10.22501/jar.49027

OPEN EXPOSITION

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