Between 2009 and 2012 I made several visits to Italy to study at the Royal Dutch Institute in Rome, as well as to carry out historical field research in Pompeii, Herculaneum, Rome and Cerveteri. These trips were designed to provide material for writing several essays and developing an installation based on the classical atrium house...
http://doi.org/10.22501/jar.28644

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An exposition concerning my collaborative webcam performance projects, focussing on / trying to determine the special aspects of machine mediated communication and collaboration...
https://doi.org/10.22501/jar.18236

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Voice (a retracing) is a video/sound work which seeks to capture and articulate the dancer's inner experience of movement improvisation. In doing so, this work layers and distorts video images and uses the dancer's spoken voice as the basis for an acousmatic composition...
https://doi.org/10.22501/jar.14683

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This project focuses on the learning process in the oral tradition of fado. A common Portuguese saying 'O fado não se aprende' (one cannot learn to sing fado) forms the departure point of this artistic investigation. As a singer I dived into the practices of the oral transmission...
http://doi.org/10.22501/jar.27893

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This work combines the results of an online survey about the experience of acting with interviews of many of the respondents to explore how actors describe the relationship between the character they portray in performance...
https://doi.org/10.22501/jar.15971

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In this exposition we describe and theorize the evolution of an artistic enquiry entitled Playing the Spiral Jetty. This is accomplished in four parts. In part one we present our understanding of play as research methodology. Then, in part two we narrate and contextualize...
http://doi.org/10.22501/jar.2387

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This exposition takes the form of a series of experimental and philosophical attempts to represent place through film, photography and drawing. The research is devised through the frame of the self-reflexive auto-ethnographer...
http://doi.org/10.22501/jar.959

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Walking around a tree, observing the colour, texture and outline, sitting to draw, to document the actualities of the object … this presents no interest …
https://doi.org/10.22501/jar.344

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