Based around my catalogue essay for Yu-Chen Wang's exhibition 'Nostalgia for the Future' (Taipei Fine Art Museum and Centre for Chinese Contemporary Art, Manchester, 2016), I consider how exhibition narratives are formed... http://doi.org/10.22501/jar.285510
The work presented here uses the analogy of artists as talking birds and draws on research from cognitive ethology, linguistics, and film studies to ask, what kind of knowledge does art produce? Drawn diagrams and short structural ... http://doi.org/10.22501/jar.147814 OPEN EXPOSITION
The article examines my recent multi-channel sound composition: Decomposing Landscape (2015), inquiring into the complex, nebulous and evolving relationship between sound and site that is thoroughly ... http://doi.org/10.22501/jar.147814 OPEN EXPOSITION
This exposition explores the role of creative practices in creating methods for public engagement and the promotion and recognition of tangible and intangible heritage at a local community level. It argues that principles of participatory design ... http://doi.org/10.22501/jar.147814 OPEN EXPOSITION
Iconic artists’ books from the 1960s and 1970s have recently been subject to numerous attempted appropriations by publishers and artists, resulting in the production of facsimiles and bootlegs of famous titles. The original versions of artists’ books ... http://doi.org/10.22501/jar.231490
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